When Magic Wakes, And Laughs

June 21, 2016 — 2 Comments

To describe a thing is to give it life.

It is also to give it death.

Scrawl it with ink against paper and it is born,

intone it from the throat and it is now rooted.

The writer, the poet, and the bard all give flesh to spirit with our words. We speak the unspoken, outline the contours of the unseen. We tease out threads from the Other to weave tapestries in the Now, tinting the grey mundane with silver and blue all to show you what colours compose our world.

But just as we give life, we also give death.

To tell you about Rennes is to tell you about Faerie, to tell you about Dream.

To tell you of Rennes, is to tell myself of its death.

No. The city will not die because I have written about it.

The cobbles will remain, the ancient walls scrawled with calls for revolution and beauty shall not fall.

The whispering spirits in alleys will continue to whisper, the calling birds shall continue to call.

The revelers will not stop reveling, the protesters shall not cease their protest.

The sluggish and kind river shall not pause in its banks, nor will it flow backward because I have described it.

No.  But it will be born to me, and as it is born, it will one day die.

Rooting the eternal into the now can birth a forest, but no tree lives forever.

When it shall die is hardly for me to know, anymore than it is for me to know when I shall die–only that it shall.  Without death, we know nothing of life, without shadow we know nothing of shape, without sorrow we have no space for joy. And anyway, until a thing is born, it cannot be loved, and what is birth anyway except the beginning of love?

Okay.

I shall tell you of Rennes.

I shall tell you of its life, and I let bear myself of its death.

I shall tell you most of all of love.

InstagramCapture_a8845af6-1924-4292-ba29-49adba97fb19

In the present, I am typing an anarchist bar near the sites of two ancient Pagan temples that are now churches. The bar is a sacred place in itself, or definitely for me. It’s the bar where I watched eight straight anarchist men chase after three homophobic thugs who called me and my companion faggots two weeks ago. I call that holy.

Dionysos Rennes

Rennes is also a sacred city, at least to me. Three years ago, I wandered these streets on the beginning of my last pilgrimage to France. I wandered these streets 12 years ago with a lover during my first trip to France. And I’ll wander them again, as Rennes is the closest to ‘home’ I have ever known a city to be.

Ah, but I’ve gone all abstract on you, wide ideals painted with very broad brushes, an image only visible from far away. Get close to the tableaux and you can see nothing except color without shape or pattern. Only with distance can the farsighted see.

“Do not open that door,” I said to him, drunk with his sweat, telling him the story of the companions of Brân.  The seven of them, gathered on an island with the severed head of their king, while all time passed by them.

“I want only the present,” he said, his breath on my neck. “It is happy in the present.”

And I’m staring out that door right now, the world aflame, the head falling silent.

InstagramCapture_150b5d41-f62e-4a08-ac96-952784f0a9cc[1]

Actually, fuck.

I’m so in love.

You want to know about Rennes?

Really?

You want to know what it is like to live in relentless beauty and burning brilliance for three weeks?

Okay.

Joy Watering the Gaps of Cobbles

(Before The Arrival)

I saw myself laughing in the rain, a bottle of cidre in each hand tipped downward in offering upon the stones.

I could not stop laughing, it was so funny.

I could not stop laughing, it was all joy.

I could not stop laughing as the dragons–the dragons that emperors and presidents, CEO’s and politicians, kings and priests all claimed to conquer–lapped laughingly what we fermented for their revolt.

I could not stop laughing, and shall not, even if eructations of mirth shatter my bones and rend my flesh.

I am made of this place.

I Wrote of This, in Semen, Ink, and Soil

(Arrival)

We left the train station. I carried my bags with my friend to his house, my feet not needing my eyes to find their path.

By the river, past the canal, past the second canal, down the alley to where he stood, smiling, his cat hunting in the warm evening.

“Rhyd,” he said, inviting us in, showing us his books his totems his dazzling life in echoing light as old stones called in descending night.

Night only of dreams, the night of fading warmth you remember from dreams you could not quite remember the next morning, only the scents, only the whispers, only the hollows of far-off trees in which spirits smile knowing you are safe.

I dreamt that night, not of night but of spirits, animals and not-animals asking me if I would be what I would be for the one who drew them from the Other. I said, “okay,” before I said “Okay” to him, before he said “Okay” to me.

Like the scrawls in notebooks I forgot to bring, mouldering likely now in boxes I may never open again, words in ink borne of sorrow and hope: this stone, this fountain, this square.

I knew it before, and waited, and was here.

Even Ghosts Get Flesh

(The Day After)

The band was good. Better than I’d dared hope. Second night, in the Marquis de Sade, VvvV.  I watch his joy, I smell the forest in his shirt.

I sniff his armpits, drinking Bonnets Rouge and laughing, thinking, that this is all I’ve ever wanted.

I’d walk these streets as a ghost, haunting the edges of bars and clubs, listening to the laughter and music spill from spaces warm from light and life.

Me, by the threshold, listening.

Me, by the threshold, dreaming.

Me, now, bass felt in the root of my soul while I glance his way. I light a cigarette, I light his.

“Who lights another, sodomizes another” he says, an old Breton invitation, I think.

“Okay?” I asked, striking the flame.

“Okay,” he answered, pulling me onward to the closing hour of the bar, to be invited in after.

Remembering Before What I Will Remember Later

(In Arms, Heureux)

You can have so many déja vu that you can start slipping between them.

I remember this, seeing the circle of women explaining how strong my arms were when I was another woman and not myself.

I remember this, fucking a man years ago and seeing another face.

I remember this, his name played on my lips months ago.

I remember this, how my fingers played along the muscles of his back before we’d ever touched.

Carnac JamesRhyd Hot

“You are always forgetting,” She’d said, there on that mountain.

I am always forgetting, I’d once said, before that arcing dancing silver.

Oh, Arianrhod, I remember, there in your timeless castle, waves lapping against the coral as you return to the sea.

I remember the lightning, the voices, the secret name and the book of the stars, here, later, from long before and again.

He’s beautiful, I remember, from later and before and ever.

Enemies of the State, in Love

(A Satyr-day)

She’s reading Tarot, drunk.

He’s reading Tarot, drunk.

I am watching, drunk.

I am in love.

Outside the bar, named for the Red Bonnets, the rebels ask for wisdom.

Witches pulling cards for Anarchists lately come from smashing the state is a dream I used to know, and I smile, and I watch.

Alley all but dances as she reads for them. Fading are the memories of the Fascist threats, the cloying darkness of tyrant priests, the stifled wonder at the Other.

He smiles and drinks, turns to me and whispers and we’re together and we’re all but fucking on the street while the other rebels laugh, while Alley doles wisdom from open hands.

Anarchy is Witchcraft. Witchcraft is love.

“Faggot,” say the boys who pass us by, and we almost don’t notice ’till the rebels shout them down.

“Faggot,” say the boys again, lobbing bottles at our magic circle.

“Faggot,” I whisper to myself, rolling my sleeves.

And then they flee, they run, terrified of our magic, terrified of our heresy, terrified of our love.

How the Beech Shook in Welcome, There By The Wells, There After the Beach

(A trip to Carnac)

Carnac Bath Wide

3 years ago I lit the fire and waited, watching wind whip through trees across the waves of Morhibund, the year after they came to tell me to come.

3 years ago, the next morning, I tied together the branches and regarded, there, the place I’d seen the night before.

3 years ago, I said farewell.

Carnac ValentinJames Hollywood

We’re there, now, on the beach. Carnac, after the melted ice cream, shirtless. We’re what California dreams of, and Florida, but the march of power from where all wealth comes crashes through my groin up towards the stones behind me and I smile.

Atop a tumulus, then, mounted by St. Michael. So many dragons to conquer, so much land to subdue, but Michael failed here.

Shirt inside out and backwards, ascending with face away, the Korrigan quieted.

No moules this early, and Sainte Barbe’s closed, but the Beech shakes in greeting.

I cry, walking to the wells.

Carnac First Well

I cry, the candle lit.

Carnac Well Upclose

I am so happy.

“You are so happy,” he said, gathering Mugwort from the sacred place for his garden.

They said ‘okay,’ I said to myself.

Okay.

Queens of Destruction

(The Uprising of the Earth)

Banks are smashed everywhere in Rennes, and people are happy.

Soldiers in body armor stared us down as we passed, and I smiled about him.

The morning I woke to the helicopter I still smelled him in my beard.

Hello, you queens of the land.

"Rennes" sounds like "Reines," the French word for Queen

“Rennes” sounds like “Reines,” the French word for Queen

I heard them speak when I arrived.

I heard them speak when I slept.

I heard them in the smashed-up banks and broken tellers,

in the cursive scrawls on pretty walls.

I heard them elsewhere, too, in the city to the south, and spoke to them there.

“Confuse the police,” I asked. “Give strength to your people.”

“The spirit of Nantes!” he said, when I told him where I’d met her.  “That’s where she speaks.”

InstagramCapture_e1a4cbc9-adf5-4b70-a3e8-41f5df9a6369

And another in Nantes, too:

Nantes Fountain Hardcore

 

And, oh.

They’re angry.

The Ugly One

(Love Song For A River Goddess)

Rennes Vilaine BuldingReflect

“She’s the Ugly One,” he said. “I don’t know why.”

“But she’s gorgeous,” I replied, and suddenly understood.

She is all reflection.

She is a home for all your tears

and a reason to smile after.

 

Where Magic Wakes, And Laughs

(And You Desire What You Are)

(And Are)

(And Laugh, Waking To Magic)

(And Laugh, In Love With Him)

The rest is for me.


Previous Pilgrimage Journals:

Can You Tell Me How To Get? (Brooklyn: May 10th-12th)

Across Water Are Other Memories (Manchester, May 12-13th)

What We Are Becoming, Waiting (Shrophire, May 13th-15th)

A Language of Growling Earth (Bristol, Bath, May 15th-May 18th)

An American Exorcism (Cardiff, London May 19th-May 22nd)

We Are Bodies, Desiring (Marseilles, Arles, May 23-May 27)

Interlude: Heretics (at Gods&Radicals)

We Headless Ones, Speaking (Perpignan, Toulouse, The Pyrenrees, May 27th-June 2nd)

Next: Strasbourg


Want to help? Purchasing copies of my books (available in print or digital) or becoming a Patreon supporter will keep me fed and full of stories, as will one-time donations. And thanks!!!

 

2 responses to When Magic Wakes, And Laughs

  1. 

    Beautiful. There is magic in your poetry in your magic.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s